Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | Tondo with Angel sh | Joachim-s Dream | Miracle of the Spring | Christ Among the Doctors | Stigmatization of St Francis |
Related Artists:
John Singleton Copley
American Colonial Era Painter, 1738-1815 John Singleton Copley (1738[1] - 1815) was an American painter, born presumably in Boston, Massachusetts and a son of Richard and Mary Singleton Copley, both Irish. He is famous for his portrait paintings of important figures in colonial New England, depicting in particular middle-class subjects. His paintings were innovative in their tendency to depict artifacts relating to these individuals' lives.
Henry Charles Bryant
(1835 - 1915) was a popular painter of portraits and landscapes specialising in farmyard and market scenes which were noted for their great attention to detail. He worked mainly in London and exhibited frequently between 1860 and 1880 at the Royal Academy, the British Institution and the Royal Society of British Artists. His paintings are highly sought after today.He died at 49, Derby Road, Portsmouth in January, 1915(Obituary:- Hampshire Telegraph & Post, January 8, 1915).
ROSSELLI, Cosimo
Italian Early Renaissance Painter, 1439-1507 Painter. He was documented in Neri di Bicci's workshop between May 1453 and October 1456; in 1459 he received his first known commission, for an altarpiece in Santa Tr?nita, Florence (untraced). It is thought that he subsequently worked with Benozzo Gozzoli, whose influence is evident in his early work, but Cosimo was receptive to the styles of almost all his more gifted contemporaries, including Alesso Baldovinetti (said by Baldinucci to have been his master), Andrea del Verrocchio and the Pollaiuolo brothers. Cosimo's first surviving works of importance are the frescoes in the style of Baldovinetti in the Salutati Chapel, Fiesole Cathedral, datable to between 1462 and 1466, but these are heavily restored.